PhD.Fine arts /Interdisciplinary artist.
Specialist in artistic pedagogy applied in education, combining professional artistic activity, with experimental research and teaching at different educational levels. Experience in digital environments as a teacher of the Department of Didactics of Visual Arts in the Faculty of Education, International University of La Rioja, Madrid Campus, Spain. Developing a deep interest in nature, our environment, the city As a place of research, anthropological review and the relationship with our environment.
Experimental project in Air KH Messen , Art Centre in the heart of the Hardangerfjord, Ålvik,Norway,2019 (January- March,3 months),
Project of sculptural installation establishing the relationship between matter and space, developing 3 parts :
a) Interpretation of landscape morphology in textile sculpture. Textile fiber material : Esparto ( ES) b) Experimental acoustic ecology / Graphical representation of landscape in sound code. c)Video made with all the drawings and sketches of the sound graphics.
A piece of textile sculpture that will become an installation in the future, a sculpture that can be touched, smelled and felt.
Matter and space // Testing the refuge in the mountains and the flexibility of the material
Listen to the sound of the wind created from my drawings of the The landform that surrounded me.
Interpretation of landscape morphology in textile sculpture. // Prototypes (Models of future installation pieces as you can see in the sketches, piece of great height and suits the exhibition space)
Video -Sound installation
Video made from joining all the drawings and sketches made during the process of sound experimentation + the sound is obtained after listening to one of the drawings by mobile app. ( Read instructions below).
Instructions about “no-sound” experimentation / Guide to be able to listen to the non-sound of the sculpture and the emptiness of the space that surrounds us :
GRAPHICAL REPRESENTATION OF LANDSCAPE IN SOUND CODE
2D barcode of the audio as a sound piece of the graphic representation of the sound (an analogy with the QR-CODE, code can be read in real time) .
When we look inside the drawing of the mountains as if from a zum and we extend it, the small graphisms become musical codes.
Pieces sewn on paper, to play with the volume obtaining different “sound” qualities. Graphic representations of industrial “No-sound” heard from the residence studio and “no-Sound” interpretation of geological morphology. The use of the telephone gives us immediacy playing with the concept here /now, on the other hand, we ask ourselves the use of technology and the influence of man in nature and the transformation of the landscape.
Installation: Video, Sculpture, and Photography Materials: Own tickets stored during years of different routes ( train ,subway, plane about more than 10 years) + Train routes have been recorded with the mobile -wagon train window giving rise to an audiovisual piece.
Video : AUDIOVISUAL PIECE / OUTSIDE THE CITY / TRAIN ROUTES HAVE BEEN RECORDED WITH THE PHONE BEHIND THE WINDOW + AUDIO
VIDEO + AUDIO
Process + Sampling
Street map out of print and discontinued
Old maps that give rise to the trips made to record the audiovisual work. The text, the olds maps as a sculpture we keep the tickets of all the trips made during years to create a sculptural installation
Sound postcards of empty spaces
Postcards stored throughout the life of different places visited Context + memory
Intervention,in-situ, Main door garden , *Air Casa de Velázquez, Madrid,Spain Guest artist , Open Day. 15-02, 09. ( French institution) Material: 10,000 newspapers. + sound piece, reinterprets the bombardment from historical sound files found in the national library. Dimensions: 10 m x 5 m x 1.20 m
Using the metaphor with newspapers, war reportage, The piece transports us to a specific time ,,, university area, residence of artists, thinkers, scientists … the human madness transformed into ruins . Key points of resistance in the period of wars in my country and was almost totally destroyed and many artists had to escape..
* Note: Casa de Velázquez is at once a centre for artistic creation and a research centre by the Ministry of Higher Education and Research and Innovation since 1928.
Project Grant Air Casa de Velázquez, Madrid.Spain,2008-09 (International centre for artistic creation and a research centre, French Ministry) Guest artist, Open Day. 15-02, 09.Madrid Materials: Postcards, street, postal envelopes, receipts … stitched together. Technique: Stitched pieces Dimensions: 5m x 2 m ( can adapt to any position, shape and size)