Open studio 22 Feb. + 26 Mar. Air KH Messen https://www.khmessen.no/blog/2019/03/20/open-studio-march/
Experimental project in Air KH Messen , Art Centre in the heart of the Hardangerfjord, Ålvik,Norway,2019 (January- March,3 months),
+ INFO
Project of sculptural installation establishing the relationship between matter, body and space, developing 3 parts :
a) Interpretation of landscape morphology in textile sculpture. Textile fiber material : Esparto ( ES)
b) Experimental acoustic ecology / Graphical representation of landscape in sound code. c)Video made with all the drawings and sketches of the sound graphics.
A piece of textile sculpture that will become an installation in the future, a sculpture that can be touched, smelled and felt.
Matter and space // Testing the refuge in the mountains and the flexibility of the material





+ INFO
Listen to the sound of the wind created from my drawings of the The landform that surrounded me.
Interpretation of landscape morphology in textile sculpture. // Prototypes (Models of future installation pieces as you can see in the sketches, piece of great height and suits the exhibition space)
Video -Sound installation
Video made from joining all the drawings and sketches made during the process of sound experimentation + the sound is obtained after listening to one of the drawings by mobile app. ( Read instructions below).




Instructions about “no-sound” experimentation / Guide to be able to listen to the non-sound of the sculpture and the emptiness of the space that surrounds us :
GRAPHICAL REPRESENTATION OF LANDSCAPE IN SOUND CODE
2D barcode of the audio as a sound piece of the graphic representation of the sound (an analogy with the QR-CODE, code can be read in real time) .



When we look inside the drawing of the mountains as if from a zum and we extend it, the small graphisms become musical codes.


+ INFO
Pieces sewn on paper, to play with the volume obtaining different “sound” qualities.
Graphic representations of industrial “No-sound” heard from the residence studio and “no-Sound” interpretation of geological morphology. The use of the telephone gives us immediacy playing with the concept here /now, on the other hand, we ask ourselves the use of technology and the influence of man in nature and the transformation of the landscape.






Drawing with my steps

















