Project of sculptural installation establishing the relationship between matter and space, developing 3 parts : a) Interpretation of landscape morphology in textile sculpture. Textile fiber material : Esparto ( ES) b) Experimental acoustic ecology / Graphical representation of landscape in sound code. c) Video made with all the drawings and sketches of the sound graphics.
A piece of textile sculpture that will become an installation in the future, a sculpture that can be touched, smelled and felt. Listen to the sound of the wind created from my drawings of the The landform that surrounded me.
Interpretation of landscape morphology in textile sculpture. // Prototypes (Models of future installation pieces as you can see in the sketches, piece of great height and suits the exhibition space)
Matter and space // Testing the refuge in the mountains and the flexibility of the material
Video made from joining all the drawings and sketches made during the process of sound experimentation + the sound is obtained after listening to one of the drawings by mobile app. ( Read instructions below).
Instructions about “no-sound” experimentation / Guide to be able to listen to the non-sound of the sculpture and the emptiness of the space that surrounds us :
Emotional orchestra of Messen,Ålvik, Norway,2019
GRAPHICAL REPRESENTATION OF LANDSCAPE IN SOUND CODE
2D barcode of the audio as a sound piece of the graphic representation of the sound (an analogy with the QR-CODE, code can be read in real time) .
When we look inside the drawing of the mountains as if from a zum and we extend it, the small graphisms become musical codes.
Pieces sewn on paper, to play with the volume obtaining different “sound” qualities. Graphic representations of industrial “No-sound” heard from the residence studio and “no-Sound” interpretation of geological morphology. The use of the telephone gives us immediacy playing with the concept here /now, on the other hand, we ask ourselves the use of technology and the influence of man in nature and the transformation of the landscape.
Drawing with my steps
Sewing my own invented map related to the sites that have been important for me and with the material of my piece.
Installation of organic sculpture + Sound piece (footprints on the material and sound of the natural environment)
Title: Refugio / Refuge
*Beca Alnorte’09. Museo Barjola, Gijón, Asturias,2009 IV Scholarship Alnorte 2009. Project Fellow at the National Week of Contemporary Artin Asturias. Spain *Gallery Delegación Principado Asturias,Madrid, Spain,2010.
Material :”Esparto” natural fiber + wheat spikes ( Natural material, collected by hand in the field from Mediterranean, wheat called “Escanda”, wheat of the North of Spain, Asturias) + farmland Dimensions : 5 x 2 meters x 1,2 m ( can be adapted to any space)
Project grant Air Casa de Velázquez, Madrid,Spain,2008
Installation: Video, Sculpture, and Photography
Materials: Own tickets stored during years of different routes ( train ,subway, plane about more than 10 years)
+ Train routes have been recorded with the mobile -wagon train window giving rise to an audiovisual piece.
Casa de Velázquez, Madrid,Spain,2008
Video : AUDIOVISUAL PIECE / OUTSIDE THE CITY / TRAIN ROUTES HAVE BEEN RECORDED WITH THE PHONE BEHIND THE WINDOW + AUDIO
Capture of the audiovisual projection in the gallery
VIDEO + AUDIO
Process + Sampling
“FALSE SCIENTIFIC STUDY” / materials collected in the routes made with old maps that give rise to the trips made to record the audiovisual work
Street map out of print and discontinued
Old maps that give rise to the trips made to record the audiovisual work. The text, the olds maps as a sculpture
we keep the tickets of all the trips made during years to create a sculptural installation
Sound postcards of empty spaces
Postcards stored throughout the life of different places visited Context + memory
Intervention,in-situ, Main door garden , *Air Casa de Velázquez, Madrid,Spain
Guest artist , Open Day. 15-02, 09. ( French institution)
Material: 10,000 newspapers. + sound piece, reinterprets the bombardment from historical sound files found in the national library.
Dimensions: 10 m x 5 m x 1.20 m
Using the metaphor with newspapers, war reportage, The piece transports us to a specific time ,,, university area, residence of artists, thinkers, scientists … the human madness transformed into ruins . Key points of resistance in the period of wars in my country and was almost totally destroyed and many artists had to escape..
* Note: Casa de Velázquez is at once a centre for artistic creation and a research centre by the Ministry of Higher Education and Research and Innovation since 1928.
Project Grant Air Casa de Velázquez, Madrid.Spain,2008-09
International centre for artistic creation and a research centre, French Ministry)
Guest artist, Open Day. 15-02, 09.Madrid
Materials: Postcards, street, postal envelopes, receipts … stitched together.
Technique: Stitched pieces
Dimensions: 5m x 2 m ( can adapt to any position, shape and size)